The Bible Code as a Basis of Artistic and Aesthetic Searches of Bessarabian Poet Galyna Lisaya

Abstract

The proposed research actualizes one of the important scientific problems of modern humanities – the study of literary text through the prism of Biblical anthropology. It explores the ways of communicating the author's consciousness of the Bessarabian poetess Galina Lisaya with the Bible as primary source, so as the spiritual foundations of her artistic thinking and key modes of Bible discourse of her creative works within the framework of individual aesthetics and national philosophical and cultural context are revealed. The correlation of theocentric / anthropocentric artistic picture of the world of the poet is outlined, as well as the dynamics of the style adaptation of Biblical structures in the author's text is indicated, its aesthetic self -sufficiency is revealed; the ways of transposing the problems of Holy Scripture to the level of subjective reflections and artistic generalizations are characterized; the immanent features of the artistic and aesthetic series of author's Book of Books versions (ideological content, compositional, figurative) are analyzed in the poet's creative practice; the determinism of her lyricism is investigated by the ideas of the Bible through the corresponding confi gurations of the expression of the author's «I». An attempt to hierarchize the components of the Biblical matrix of
lyrical narrative G. Lisoi is made: the markers of prayer and confessional motifs, gospel pathos, explicit forms of intertextualization (Biblical parallels, case histories, epigraphs, titles), sacred chronotopes, marked vocabulary. The emphasis is placed on the specifics of the functioning of genre Biblical canons (prayers) in the context of author's self -determination of a poet. The author of the article concludes that the Bible dimension of the creative work of G. Lysaya testifies to the dominance in the content field of its wide range of humanistic issues and national existential thematic dominantes, substantiates expediency and perspective of the chosen direction of studying the aesthetic nature of the artistic creativity of the poetess whose scientific reception is at an initial stage.